Faculty of Arts and Humanities - University of East Anglia

Master Creative Writing Scriptwriting - Máster en Escritura de Guiones

Faculty of Arts and Humanities - University of East Anglia
  • Imparte:
  • Modalidad:
    Presencial
  • Precio:
    Consultar rellenando el formulario
  • Comienzo:
    Septiembre 2017
  • Lugar:
    Norwich
    Reino Unido
  • Duración:
    1 Año
  • Idioma:
    El Curso se imparte en Inglés
  • Titulación:
    MA Creative Writing Scriptwriting
  • Otras Convocatorias:

    Presentación

    This programme is offered either full and part time basis

    The MA will explore both theory and practice of dramatic writing, addressing contemporary critical debates, analysing written and performance texts, and experimenting with a range of techniques in original writing. Writers develop skills in constructive criticism and creative editing of each other´s writing, towards the creation of a supportive writers´ network.

    Modules will be taught by theorists and practitioners, and will be supplemented by Master classes given by visiting specialists. Teaching will be via seminar discussions and presentations, screenings, workshops, readings and may also include performance visits. Students will be assessed through an analytical essay, original creative writing and working process materials.

    Requisitos

    Degree Subject: UK BA (Hons) 2.1 or equivalent
    Special Entry Requirements: Sample of work

    Programa

    Compulsory Study (160 credits)
    Students must study the following modules for 160 credits:
     CREATIVE WRITING AND RESEARCH SEMINARS
     CREATIVE WRITING DISSERTATION
     CREATIVE WRITING WORKSHOP: SCRIPTWRITING
     CREATIVE WRITING: SCRIPTWRITING: DRAMATURGY
     CREATIVE WRITING: SCRIPTWRITING: PROCESS
    Option A Study (20 credits)
    Students will select 20 credits from the following modules:
    Students are encouraged to pick from the full range of modules offered in the School of Literature, Drama and Creative Writing (LDCEM*/LDCCM*), as well as those offered in the Schools of Film, Television and Media Studies (FTMFM*) and Political, Social and International Studies (PSIPM*/PSIIM*). Students may only select a Spring Semester (SEM2) module.
     ADAPTATION AND INTERPRETATION
     AMERICAN FOREIGN POLICY
     BRITISH CINEMA: REALISM AND SPECTACLE
     CASE STUDIES
     CONCEPTUALIZING THE MEDIEVAL AND THE RENAISSANCE
     CONTEMPORARY WORLD THEATRE
     CREATIVE-CRITICAL WRITING
     CREATIVITY AND DEVELOPMENT IN FILM AND TELEVISION PRODUCTION
     CRITICAL THEORIES OF THE WESTERN SELF
     CROSSING BOUNDARIES: WOMEN WRITERS IN MODERN EUROPE
     DISSERTATION - LITERARY TRANSLATION
     EAST ANGLIAN LITERATURE
     EFFECTS, AUDIENCES AND THE MEDIA
     ENGLISH LITERATURE DISSERTATION
     EUROPE AND THE WORLD
     EUROPEAN UNION: POWER, POLITICS AND POLICY
     EVALUATING NATURE
     FICTION AFTER MODERNISM: RE-READING THE 20TH CENTURY
     FILM STUDIES DISSERTATION
     FILM STUDIES: HISTORY, THEORY, CRITICISM
     FORENSIC LINGUISTICS AND TRANSLATION
     GLOBAL POLITICAL ECONOMY OF EMERGING POWERS
     INTERNATIONAL HISTORY OF THE ASIA-PACIFIC REGION
     INTERNATIONAL ORGANISATIONS AND PUBLIC POLICY
     INTERNATIONAL ORGANISATIONS: CONFLICT AND DEVELOPMENT
     INTERNATIONAL RELATIONS THEORY
     INTERNATIONAL SECURITY
     JAPANESE FILM: NATIONAL CINEMA AND BEYOND
     LITERARY TRANSLATION RESEARCH AND METHODOLOGY TRAINING SEMINAR
     LIVING MODERNISM
     LUDIC LITERATURE
     MA IN INTERNATIONAL RELATIONS AND DEVELOPMENT EXAMINATION
     MA IN INTERNATIONAL RELATIONS EXAMINATION
     MA IN INTERNATIONAL RELATIONS and EUROPEAN STUDIES EXAMINATION
     MA INTERNATIONAL SECURITY EXAMINATION
     MEDIEVAL AND RENAISSANCE HUMANISM 1: ADAPTATION, TRANSLATION, IMITATION
     MEDIEVAL AND RENAISSANCE HUMANISM 2: HISTORICAL IMAGININGS
     POLITICS AND PUBLIC CULTURE
     POSTMODERNISM IN PERFORMANCE
     PROCESS AND PRODUCT IN TRANSLATION
     PUBLISHING - A PRACTICAL APPROACH
     RADICAL DRAMATURGIES
     RESEARCH AND METHODOLOGY TRAINING SEMINAR
     RUSSIAN FOREIGN POLICY
     SCIENCE FICTION: FILM AND TELEVISION
     STUDYING MEDIA
     STYLISTICS FOR TRANSLATORS
     TECHNOLOGICAL TOOLS FOR TRANSLATORS
     TELEVISION AND SOCIETY
     THE ACTOR IN SPACE
     THE BIG PICTURE: CONTEMPORARY HOLLYWOOD CINEMA
     THE FOREIGN RELATIONS OF CHINA AND JAPAN IN THE MODERN WORLD
     THE LIFE OF THE BOOK
     THE POLITICS OF REGULATION
     THEORY AND PRACTICE OF FICTION
     TRANSLATION IN CONTEXT
     TRANSLATION THEORY
     TRANSLATION WORKSHOP
     VIDEO PRODUCTION
     WAR GAMES: DIPLOMACY AND STRATEGY IN INTERNATIONAL RELATIONS
     WOMEN AND FILM
     WRITING LIVES
     WRITING THE FIRST PERSON

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