Compulsory Study (160 credits)
Students must study the following modules for 160 credits:
DISSERTATION LANGUAGE AND INTERCULTURAL COMMUNICATION
LINGUISTIC ANTHROPOLOGY
RESEARCH METHODS
THE POWER OF DISCOURSE: REPRESENTATION AND INTERACTION
UNDERSTANDING CULTURES IN A GLOBAL WORLD
Option A Study (20 credits)
Students will select 20 credits from the following modules:
MODULES OUTSIDE OF THE SCHOOL MAY ONLY BE TAKEN WITH THE APPROVAL OF THE COURSE DIRECTOR.
"MEDIA, CULTURE AND SOCIETY DISSERTATION"
´PAINTING THE CITY: AMERICAN ARTISTS AND THE URBAN SCENE, 1900-1930´
ADAPTATION AND INTERPRETATION
ADAPTATION AND INTERPRETATION
AFRICA SECTION
AMERICAN CULTURE: THEORIES AND CONCEPTS
AMERICAN FOREIGN POLICY
AMERICAN HISTORY DISSERTATION
AMERICAN LITERATURE DISSERTATION
AMERICAN STUDIES DISSERTATION
AMERICAS SECTION
ANALYSING FILM
ANALYSING MEDIA DISCOURSES
ANALYSING MEDIA DISCOURSES
ANALYSING MEDIA DISCOURSES
ANALYSING MEDIA DISCOURSES
ANALYSING MEDIA DISCOURSES
ANALYSING TELEVISION
ANIMATION
ASIAN CINEMA
ASIAN CINEMA
ASIAN CINEMA
ASIAN CINEMA
AT CLOSE QUARTERS: THE ENGLISH COUNTRY HOUSE AND ITS COLLECTIONS
AT CLOSE QUARTERS: THE ENGLISH COUNTRY HOUSE AND ITS COLLECTIONS
BETTER WORLDS? UTOPIAS AND DYSTOPIAS
BRITISH CINEMA: REALISM AND SPECTACLE
BROADCAST JOURNALISM
BROADCAST JOURNALISM
BROADCAST JOURNALISM
CASE STUDIES
CERTAINTY AND UNCERTAINTY IN ENVIRONMENTAL SCIENCE AND POLICY
CONCEPTUALIZING THE MEDIEVAL AND THE RENAISSANCE
CONSUMER CULTURE AND SOCIETY
CONTEMPORARY JOURNALISM: PRACTICE AND ETHICS
CONTEMPORARY MEDIASCAPES
CONTEMPORARY WORLD THEATRE
CREATIVE WORK IN THE MEDIA INDUSTRIES
CREATIVE WORK IN THE MEDIA INDUSTRIES
CREATIVE WORK IN THE MEDIA INDUSTRIES
CREATIVE WORK IN THE MEDIA INDUSTRIES
CREATIVE WRITING AND RESEARCH SEMINARS
CREATIVE WRITING DISSERTATION
CREATIVE WRITING WORKSHOP: POETRY 1
CREATIVE WRITING WORKSHOP: POETRY 2
CREATIVE WRITING WORKSHOP: PROSE 1
CREATIVE WRITING WORKSHOP: PROSE 2
CREATIVE WRITING WORKSHOP: SCRIPTWRITING
CREATIVE WRITING: SCRIPTWRITING: DRAMATURGY
CREATIVE WRITING: SCRIPTWRITING: PROCESS
CREATIVE-CRITICAL WRITING
CREATIVITY AND DEVELOPMENT IN FILM AND TELEVISION PRODUCTION
CRIME TELEVISION
CRIME TELEVISION
CRITICAL PERSPECTIVES IN MUSEUM STUDIES
CRITICAL THEORIES OF THE WESTERN SELF
CROSSING BOUNDARIES: WOMEN WRITERS IN MODERN EUROPE
CULTURAL HERITAGE AND INTERNATIONAL DEVELOPMENT: DISSERTATION
CULTURAL HERITAGE AND MUSEUM STUDIES: DISSERTATION
CULTURAL HERITAGE PLACEMENT
CURATING COLLECTIONS
DEMOCRATIC THEORY
DESCRIBING POETRY
DISSERTATION
DISSERTATION (MRES)
DISSERTATION - LITERARY TRANSLATION
DISSERTATION PREPARATION
DRAMA DISSERTATION
EAST ANGLIAN LITERATURE
EFFECTS, AUDIENCES AND THE MEDIA
ENERGY, ECONOMY AND ENVIRONMENT IN HISTORICAL PERSPECTIVE
ENERGY, ECONOMY AND ENVIRONMENT IN HISTORICAL PERSPECTIVE
ENGAGING WITH THE MEDIA INDUSTRIES
ENGLAND AND THE CONTINENT IN THE MIDDLE AGES
ENGLISH LITERATURE DISSERTATION
ENGLISH PALEOGRAPHY
ESSENTIAL UK PUBLIC AFFAIRS AND LAW FOR JOURNALISTS
EUROPE AND THE WORLD
EUROPEAN STUDIES (WITH BRUSSELS INTERNSHIP)
EUROPEAN UNION: POWER, POLITICS AND POLICY
EVALUATING NATURE
EXHIBITING EMPIRE
FICTION AFTER MODERNISM: RE-READING THE 20TH CENTURY
FILM AND TELEVISION STUDIES DISSERTATION (SPRING)
FILM AND TELEVISION STUDIES DISSERTATION (SPRING)
FILM AND TELEVISION STUDIES SEMESTER ABROAD
FILM AND TELEVISION STUDIES YEAR ABROAD DISSERTATION
FILM AND TELEVISION STUDIES YEAR ABROAD DISSERTATION
FILM AND TELEVISION STUDIES: DISSERTATION (AUT)
FILM AND TELEVISION STUDIES: DISSERTATION (AUT)
FILM STUDIES DISSERTATION
FILM STUDIES: HISTORY, THEORY, CRITICISM
FILM THEORY
FILM, TELEVISION AND NEW MEDIA
FORENSIC LINGUISTICS AND TRANSLATION
FROM THE ZENITH OF IMPERIAL PRESTIGE TO THE NADIR OF BRITISH POWER: THE BRITISH EMPIRE 1919-1956
GENDER AND GENRE IN CONTEMPORARY CINEMA
GENDER AND GENRE IN CONTEMPORARY CINEMA
GENDER AND GENRE IN CONTEMPORARY CINEMA
GENDER AND GENRE IN CONTEMPORARY CINEMA
GLOBAL POLITICAL ECONOMY OF EMERGING POWERS
GOOD GOOD GIRLS AND GOOD BAD BOYS? AMERICAN FICTIONS OF INNOCENCE
HISTORY OF ART DISSERTATION
HISTORY OF POLITICAL THOUGHT
INTERDISCIPLINARY DISSERTATION (80 CREDITS)
INTERNATIONAL COMMUNICATION
INTERNATIONAL COMMUNICATION
INTERNATIONAL COMMUNICATION
INTERNATIONAL COMMUNICATION
INTERNATIONAL HISTORY OF THE ASIA-PACIFIC REGION
INTERNATIONAL ORGANISATIONS AND PUBLIC POLICY
INTERNATIONAL ORGANISATIONS: CONFLICT AND DEVELOPMENT
INTERNATIONAL RELATIONS THEORY
INTERNATIONAL SECURITY
INTERROGATING CULTURE
INTRODUCTION TO CULTURAL HERITAGE
INTRODUCTION TO INTERDISCIPLINARY ENVIRONMENTAL STUDIES
ISSUES IN MEDIA AND CULTURAL POLITICS
JAPANESE FILM: NATIONAL CINEMA AND BEYOND
LATIN AND PALEOGRAPHY
LITERARY TRANSLATION RESEARCH AND METHODOLOGY TRAINING SEMINAR
LIVING MODERNISM
LUDIC LITERATURE
MA IN EARLY MODERN HISTORY DISSERTATION
MA IN INTERNATIONAL RELATIONS AND DEVELOPMENT EXAMINATION
MA IN INTERNATIONAL RELATIONS EXAMINATION
MA IN INTERNATIONAL RELATIONS and EUROPEAN STUDIES EXAMINATION
MA IN LANDSCAPE HISTORY DISSERTATION
MA IN MEDIEVAL HISTORY DISSERTATION
MA IN MODERN BRITISH HISTORY DISSERTATION
MA IN MODERN EUROPEAN HISTORY DISSERTATION
MA INTERNATIONAL SECURITY EXAMINATION
MAGAZINES
MAGAZINES
MEDIA AND SOCIETY
MEDIA GENRES
MEDIA INDUSTRIES
MEDIA INTERNSHIP
MEDIA INTERNSHIP
MEDIA REGULATION
MEDIA, CULTURE AND POLITICS IN EAST ASIA
MEDIA, CULTURE AND SOCIETY DISSERTATION
MEDIA, SOCIETY AND POWER
MEDIEVAL AND RENAISSANCE HUMANISM 1: ADAPTATION, TRANSLATION, IMITATION
MEDIEVAL AND RENAISSANCE HUMANISM 2: HISTORICAL IMAGININGS
METHODOLOGY AND EPISTEMOLOGY OF PHILOSOPHY
METHODS OF SOCIAL ENQUIRY
MODERNITY IN RUSSIA
MULTICULTURALISM
MUSEUM STUDIES (PLACEMENT)
MUSEUM STUDIES (SCVA INTERNSHIP)
MUSEUM STUDIES: DISSERTATION
MUSEUMS AND HERITAGE: INTERPRETATION, ACCESS, ENGAGEMENT
MUSEUMS AND HERITAG